31st Dec2011

The First Annual Lauren Tormey Academy Awards

by ltormey

As I discovered while writing this post, the Lauren Tormey Academy Awards do not just give out one Oscar for each category. In fact, I don’t list every category. And sometimes, I make up my own. And other times, I make mention of the not-so good of 2011. Here are my lists of things I think should be listed (and some commentary on them).

 

Top 10 of 2011

Another Earth

-Everything about it was awesome. Especially the ending. And the story about the cosmonaut. I’ll stop before I go into super fan-girl mode…

Midnight in Paris

-I love the concept of this film, and I love how overstated its message is; thinking too much isn’t always fun.

Margaret

-I like when films emotionally distress me. A sign of cinematic success.

Moneyball

-I hate sports (especially baseball), but man, do I love sports movies.

The Ides of March

-Like Margaret, Ides was another film that left me in an emotionally-altered state and made me feel something. Mainly, anger. But in a good way.

The Girl With The Dragon Tattoo

-Better than the Swedish adaptation, in my opinion.

The Help

-Even better the second time seeing it. I like how it stands on its own from the book.

We Need to Talk About Kevin

-They really should have. Haunting. Disturbing. Well-done.

The Muppets

-It’s really sad it doesn’t come out until February in the UK. Because it’s wonderful!

Drive

-What is keeping this at the bottom of the list is the story…nothing unique about it, but overall, a well-made, well-acted film. And Ryan Gosling.

 

Best Use of Music in a Movie:

Drive

-I wish the Academy Awards would have this category in addition to best score and original song because the people who decided to put the non-score tracks into Drive need to be acknowledged. A+ work.

 

Best Actors: Overall, not a great year for leading men. Good performances by some but nothing that greatly impressed me.

Brad Pitt, Moneyball

Owen Wilson, Midnight in Paris

-The man was made to speak Woody Allen’s dialogue!

 

Best Actresses: 2011 in film was the year of leading women. A lot of great performances. Instead of giving out a best actor Oscar, I think the Academy should just give out two best actress Oscars.

Tilda Swinton, We Need to Talk About Kevin

Rooney Mara, The Girl With The Dragon Tattoo

-I can’t believe this was the same girl from The Social Network. Beyond impressed.

Anna Paquin, Margaret

-Shailene Woodley has been getting a lot of attention for her role in The Descendants as an angry, emotional, yelling-at-parent teenager, but I think the real praise should be directed at Paquin. When she screams, it’s much more believable. And by believable I mean capable of inflicting emotional disturbance and heartbreak onto the viewer. As it should be.

Charlize Theron, Young Adult

Brit Marling, Another Earth

 

Best Supporting Actors: Again with the men. Good but not overly impressive.

Jonah Hill, Moneyball

Patton Oswolt, Young Adult

 

Best Supporting Actresses: Well done, ladies. And well done casting directors of The Help.

Jessica Chastain, The Help

Octavia Spencer, The Help

Jeannie Berlin, Margaret

 

Best Screenplays: The same as my top three films…a clear indication that a screenplay makes the film for me.

Another Earth

Midnight in Paris

Margaret

 

Best Trailer Music:

Another Earth, “To Build a Home” by Cinematic Orchestra

-I love how trailers introduce me to wonderful music…

 

Best RomCom:

Something Borrowed

-I may be in a minority, but I like romantic comedies. I like cheesy love stories. I like happy endings. I like knowing the ending before I watch a film. Unfortunately, most recent romcoms have been really awful. To the point where I get angry I know the ending because it was such an awful journey to get there. However, Something Borrowed may be the first film I’ve seen where the girl does not end up with the guy I thought she was going to. Little Miss Smarty Pants thought she had the whole film figured out, but no! Also, it was a film that was better than the book. (Warning: Here comes my chick lit/US university rant.) In the film, the protagonist, having just turned 30, is still upset over her rejection from Notre Dame University; instead, she ended up going to a state university in Indiana. In the book, she gets rejected from Notre Dame but ends up at Duke University (and still is somehow upset about it in her 30s). Boo hoo, cry me a river, woman! I’m sorry your rejection from a good US university ended in you attending, in my opinion, an even better university. (Bitter US university reject done ranting now.)

 

Biggest Disappointment: The Descendants

Technically, a 2012 release for the UK, but 2011 back home in the ole U. S. of A. It’s a film that’s on pretty much every critic’s top 10 list, but I just didn’t care for it. All of the supporting characters were overly stereotypical to the point where I didn’t think such people existed in real life.

 

Worst Film of 2011: Wuthering Heights

Who only adapts half a book? And since when is Catherine allowed to wear trousers? And why is Heathcliff saying the c-word? And why is everyone else saying the n-word? And why not have a score? And where did that Mumford & Sons song come from?

 

This concludes the First Annual Lauren Tormey Academy Awards. 2012 films: get ready and prepared to be judged!

 

 

31st Dec2011

The Films That Defined 2011 For Me

by rymh

My Favourites
When it came to picking out my 2011 films I was a bit disappointed in myself for not seeing some films that I’d heard so much about during the November/ December period because I was busy revising for exams. Nevertheless, I’m pretty happy with my list. OBVIOUS MAINSTREAM PICKS I THINK ;) I only have a number one spot, the rest are… well, there are some I like more than others, but I couldn’t take the time out to rank them otherwise we’d be here for a while.

Be a human being
And a real hero
Back against the wall and odds
With the strength of a will and a cause
Your pursuits are called outstanding
YOU’RE EMOTIONALLY COMPLEX.

THIS FILM. ALL THE TIME.

Rise of the Planet of the Apes – which I loved so much I cited it in an essay. A real-life essay that counts towards my degree.

Bridesmaids – which did have me in stitches in the cinema.

Tangled – which made me awwwww

X-Men First Class – which I fangirled over SO HARD

The Fighter – crazy family

The King’s Speech – I study Linguistics, so whenever someone asks me what I’m going to do with my degree I reroute them to this film now.

Attack the Block – it’s Joe from Adam & Joe! He made a badass film.

Rabies (Kalevet) – a complete surprise, this was possibly my favourite from EIFF

Source Code - Duncan Jones knocked it out of the park again for me.

Tinker Tailor Solider Boy Spy – Gary Oldman was fantastic, it was pretty ace. Yep.

 

Honourable Mentions

I thought it’d be super cheating to Jurassic Park in my Top Films List, it’s sort of cheating to put it here I guess, but it was rereleased, I saw it in the cinema and it still rocked my world.

As well as:

The Skin I Live In – … it gives me hope that I can learn yoga?

The Girl with the Dragon Tattoo – I really enjoyed this! But the last half hour dragged on a bit, this is always the problem when your main story finishes but there are a) threads to tie up or b) setting up for a sequel needs to happen – it just never feels very cohesive because your interest in the actual story is… well… over (what the Swedish version took five minutes to do Fincher dragged out for thirty odd minutes). Still pretty swell though.

Harry Potter and the Deathly Hallows Part II – I’m one of the ‘it marks the end of my childhood’ people.

The Guard – strong first half, not so strong second half. Still worth the watch though.

Julia’s Eyes – it’s different, it’s not what I wanted, but it’s different.

 

The Films I Obviously Missed The Boat On

WHAT WAS THIS? The film was well acted, sure, but the plot and the characters had absolutely no investment for me. It just kept going on. And on. And on. And on. WHY WOULDN’T IT END? This was originally intended to be a four hour long film… why?

We Need to Talk About Kevin – I don’t really know what my beef about this film is, but it’s not as good as everyone says. I was expecting ‘earth-shattering’, but there was nothing. Nothing. Maybe I’m broken.

Kill List – I just don’t know, I really don’t. I was so confused. I think I may still be confused.

Sleeping Beauty – I really did go to watch this out of boredom. I’ve learned my lesson. Never again.

 

 

My favourite soundtracks:

WHO DIDN’T LOVE THE SOUNDTRACK? Avoiding the tracks everyone know:  I Drive – Cliff Martinez (Bride of the Deluxe was too large a file to upload but go check it out!)

X-Men First ClassCerebro – Henry Jackman

Rise of the Planet of the ApesZoo Breakout – Patrick Doyle

The Girl With the Dragon TattooImmigrant Song – Karen O with Trent Reznor

Tinker Tailor Solider Spy

Attack the Block

 

I wish I had watched:

The Artist (I will watch this in the cinema, but it will be in 2012.)
Melancholia*
Tree of Life*
Hugo
Midnight in Paris
Another Earth
Take Shelter

*probably two of the most talked about films I just never got around to. Lazy. Even my friend that hardly ever goes to the cinema dragged himself to watch Tree of Life, I’m a bit ashamed of myself. Soz.

And that’s it for me!

I think 2011 can be summed up by saying I saw more ‘fun’ films that ‘serious’ ones (maybe excluding the films I saw at EIFF), I definitely noticed that it was the year of the sequels and I took part in that. High hopes for 2012!

31st Dec2011

We could’ve had it all: Best films of 2011

by bantermeister

(Disclaimer: I am aware that some people believe that you shouldn’t be posting ‘Best of 2011′ lists after 2011 but that makes no sense so just deal with it. It’s not as though I’m the only one guilty of this :D )

Yeah, I said it. This could have been a year full of utterly amazing films – yet I found myself facing a rather dreary list when time came for me to look back at this year’s new releases. Maybe it’s because I found myself watching a far greater number of classics/moldy oldies/films made before I was born, or maybe I just need to make better choices – who knows?

In no particular order:

1. Senna

It’s hard enough to make a good documentary, it’s even harder to make a documentary on a godlike figure in F1. I must admit that I didn’t even have any sort of expectation when I sat down in the cinema on a Sunday morning but came away quite the advocate. It’s a shame that it won’t gain an extra push of attention at Oscar time but hey, that’s what these end of year lists are for!

2. We Need to Talk About Kevin

This might be the best showcase of Tilda Swinton’s talents since “I Am Love”. The casting director deserves major props for casting the freakiest children (of the corn?) as younger versions of Kevin.

3. Another Earth

My 2011 should also be known as The Year of Bad Timing; it was particularly spectacular in that regard when it came to movie-going. I had to watch this Sundance darling on a plane of all places. I love the way the story unfolds and breathes without ever feeling a need to highlight the genre elements. It’s just a drama with sci-fi elements.

4. Drive

Unlike “Another Earth,” this is about as loud and in your face as it can get. I don’t really have anything to say that hasn’t been said before aside from this: don’t be fooled by that trailer. It’s not what it seems.

4. The Tree of Life

Guh, what else can I say that doesn’t involve the flapping of limbs? It is a gorgeous, gorgeous meditation on love and loss.

5. Trollhunter

TROOLLLLLLLLLLL! I wasn’t expecting this monster movie to feature a somewhat snarky commentary on bureaucracy but hey, it was entertaining. The mockumentary style might not be for everyone but please, please give it a try.

7. Rabies

The directors took all the standard conventions of a horror movie, flipped them on their heads and presented it to the audience with great big smirk on their faces. This was definitely one of the best things about EIFF 2011.

8. The Woman

What an interesting, interesting take on “the civilisation of a wild woman” trope.

9. Blue Valentine

I’d almost forgotten that this came out in 2011. As much as it managed to break my heart into little pieces, it was also one of the more touching movies I’ve ever seen. A love story has never been quite so heartbreaking.

(10. Take Shelter)

This would most certainly be up on the list if the ending didn’t go against everything that was put forth in the first 100 minutes. I can’t say much more without ruining it for you but seriously, leave before the last scene.

 

30th Dec2011

Week 10: Rare Exports

by rymh

Thursday, The Study, Teviot

Review to appear

30th Dec2011

Week 10: Die Hard

by rymh

Directed by John McTiernan, 1988
131 minutes
22nd November, Tuesday. The Study, Teviot.

Possibly the ultimate ‘anti-Christmas’ movie, Die Hard is a wonderful present that bundles action, thrill and humour.

New York cop John McClane (Bruce Willis) arrives in LA on Christmas Eve to visit his wife who recently accepted the vice-president position of a multinational corporation and before going to say hi to the kids, Holly (Bonnie Bedelia) asks him to stop by the office party that is currently going on in Nakatomi Plaza.

As soon as McClane gets there and takes off his shoes (something to do with travelling) terrorists take over the building, securing the entrance, the elevators and bringing a halting stop to the party we are introduced to the excellently named Hans Gruber (Alan Rickman). He wants access to the bank vault and when it is not given to him, he holds everyone hostage until he can break into it. Luckily for McClane, he is not amongst the hostages and manages to get to a safe place to try and formulate a plan to alert the authorities and save the hostages, especially his wife. Unluckily, he did not have time to put his shoes back on.

Willis moulds himself into a quick-thinking, smart-talking hero that has no time to think of the consequences and goes for everything full throttle. Balancing the scales we have Rickman who lends the film the ultimate villain quality – creating a character we all love to hate. At times he is manic but always completely focused on his goal even going as far as taking things into his own hands when McClane begins to frustrate him.

Completely enjoyable, never a let down, Die Hard is an action classic that you can enjoy every year. Even compared to today’s standards, it does not get much better than this.

Written by Raymah Tariq

30th Dec2011

Week 9: North by Northwest

by rymh

Sunday 20th Nov – Pleasance Theatre
Alfred Hitchcock, 1959, 131 min

Roger O. Thornhill (Cary Grant) your mild-mannered advertising executive is mistaken for a secret spy and interrogated by a gang of spies lead by Phillip Vandamm (James Mason). He must then avoid the agents and try to find out what the heck is going on. Along the way he is helped by an Eve Kendall (Eva Marie Saint) who is connected to Vandamm and appears to know more than she is willing to tell. Eventually meeting up with American spy leader he agrees to help bring down Vandamm and rescue Eve. The film climaxes in a chase scene through the woods and down the face of Mt. Rushmore.

Filmed between Vertigo (1958) and Psycho (1960), ‘North by Northwest’ is Hitchcock’s longest piece and is much lighter entertainment opposed to his previous thrillers. The backdrops particularly are far more striking; including the face of Mt. Rushmore and the crop-duster scene which has since become a legendary film moment. Thornhills resourcefulness in the face of danger is what saves him from near death and sets him apart from other Hitchcock heroes, such as when he’s stuck in the auction room and makes a big commotion so the police escort him out and away from Vandamms goons. WHERE’S HITCHCOCK? At the very beginning during the rush hour traffic he rushes to catch a bus only to have the door slam on his face.

A spy film without the gadgets of Mr. Bond and that subsequently does not suffer from the passage of time. Watch if you like ‘Quantum of Solace’, ‘The Bourne Identity’ or ‘Casablanca’.
Written by Huw Bowdler

30th Dec2011

Week 9: When Harry Met Sally

by rymh

Directed by Rob Reiner, 1989
96 minutes
17th November, Thursday. The Study, Teviot.

One of the two excellent Rob Reiner films that we are offering you this semester is also one of the classic benchmarks in romantic comedy.

Harry (Billy Crystal) meets Sally (Meg Ryan) when they both share a car ride to New York, Sally is full of prospect which Harry combats with cynicism and the trip becomes awkward they are both glad to be rid off each other.

But, as fate would have they would meet again a few years later and keep bumping into each other until they admit they would like to be friends, although Harry, in classic fashion argues that men and women can never be just friends.  And so begins a story of a strong and engaging friendship as Harry and Sally try to navigate their lives and loves until they finally realise what they really mean to each other.

 

The film’s main attribute is the excellent chemistry between its two leads. Crystal does likable guys so well and so is convincing as a man that always has something funny to say (or at least, always has something to say). Despite his initial impression on Sally we see that he is one of the nice guys, affable and kind. Whereas Sally is undoubtedly high maintenance, knows-what-she-likes type that gains your affection with that famous scene proving that she has a sense of humour about herself. A breakthrough role for Ryan that then saw her cast as the sweetheart in a number of films.

You wish they still made them like this, incredibly funny and endearing; When Harry Met Sally will make you laugh and on some level, mean something to you.

Written by Raymah Tariq

30th Dec2011

Week 9: This is Spın̈al Tap

by rymh

Tuesday, Week 9, Teviot
1984, Dir: Rob Reiner, Running Time: 82 mins
Starring: Michael McKean, Christopher Guest, Harry Shearer, Rob Reiner

 

When it comes to the antics of musicians, even Gaga cannot get near to the rock star for audaciousness. Prime example, Keith Moon drove a Lincoln Continental into the swimming pool of a Holiday Inn, after placing dynamite in the toilets. However, it is the 80’s hard rock/ metal band with their delusions of grandeur, big hair, ridiculous songs and overuse of spandex that This is Spın̈al Tap targets right from the very beginning with the delicacy of an Iommi riff and the precision of a Neil Peart drum solo.

The parody begins in the most obvious of places, the name. Motörhead, Mötley Crüe and Blue Öyster Cult are famous for their use of the “Heavy Metal umlaut” in their name. Spinal Tap went one further, placing an umlaut on the ‘n’ in Spınal, even though umlauts are only ever placed above vowels. Crazy right.

David St. Hubbins, Derek Smalls and Nigel Tufnel are Spınal Tap, a British metal band, complete with fake accents.  On their last legs, the band hopes that new album “Smell the Glove” and a subsequent tour will relaunch their career. Marty DiBergi (Reiner) documents the World Tour, complete with arguments, malfunctioning sets, numerous drummers and ridiculous song titles such as Big Bottom, Tonight I’m Gonna Rock You Tonight, Sex Farm and the epic Stonehenge.

The film was so convincing of its portrayal of rock stars that upon initial release many believed the band to be genuine, despite cameos from well known actors such as Billy Crystal. This resulted in Spınal Tap genuinely going on Tour, releasing further albums and, in 2009, playing both Wembley and Glastonbury on their “World Tour”. This is essential viewing for any fans of rock and comedy. Rest assured, we will have the speakers turned up to 11!

 

Mathew Seccombe

30th Dec2011

Week 8: Cave of Forgotten Dreams

by rymh

Dir. Werner Herzog, 2010, 90min
Pleasance Theatre

 

In 1994, a group of archaeologists in southern France entered a previously unexplored cave containing—alongside the fossils and prints of animals, some of which have gone extinct—the oldest cave paintings ever discovered.  After obtaining permission from the French government to take a small crew into the Chauvet Cave, Werner Herzog created this documentary about an ancient artistic achievement he believes could represent nothing less than the birth of the modern human soul.

When these ancestors moved from tale-telling to the recording of their lives and thoughts onto these stone walls they were not as primitive as many might have thought.  Archaeologists actually found several techniques for the representation of movement in the paintings.  Not only is this the earliest known example of art in human history, it is already concerned not merely with recording the world, but depicting life as it is experienced, and it already possesses a sophistication in doing so.

The recent success of Grizzly Man and Encounters at the End of the World likely has much to do with the fact that Herzog does not simply photograph people and events.  Like the artists of the cave, he conveys what he sees as the truth of a phenomenon.  It is about his perspective as well as his subject.  In Cave of Forgotten Dreams he does not simply tell us of a remarkable discovery, he explores the origin of our desire to express our inner lives.  One could almost say that as a filmmaker he has stumbled upon his roots, and in typical Herzog fashion he finds them not in something as obvious as the birth of the cinema, but the dawn of human art.

Written by Mr Phil

30th Dec2011

Week 8: Chinatown

by rymh

Thursday 10th Nov
The Study, Teviot
Directed by: Roman Polanski 1974, 130 min,

Private Detective “Jake” Gitts (Jack Nicholson) is hired to investigate a supposedly adulterous husband Hollis Mulwray. When the scandal breaks the papers, wife Evelyn Mulwray (Faye Dunaway) turns up to give Jake a shake down. Determined to prove his innocence, Jake sets about to find out what’s been happening behind the scenes. Meanwhile Mulwray ends up dead in a storm drain and water seems to be diverted outside of town where land is being bought up by retirement home residents and the recently departed.

A well acted film by both Nicholson and Dunaway where major and minor characters feel fleshed out, with the own quirks and personas, from the brutish slob lamenting his wife’s debauchery, the weaselly hit-man (played by Polanski himself) to the snotty clerk in the records department. Set in a hard and gritty city that matches the tone of the film whilst remaining believable. Ending with the famous line ‘Forget it Jake it’s Chinatown’ representing failure, bad luck, and being out of your depth in something you don’t understand (like being put in a Chinatown, a microcosm of a town with a vastly different culture and ethos and where problems are often taken care of behind closed doors).

A classic crime film, that ends on an unforgettable dark turn. Watch if you like ‘A Touch of Evil’, ‘Shutter Island’ or ‘The Girl with the Dragon Tattoo’.

Written by Huw Bowdler

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